
Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Introduction to video tutorial 2010
installation view, Artspace, Sydney
image courtesy of Artspace, Sydney

Recent Haircuts 2008
installation view
uplands gallery melbourne

Recent Haircuts Laminated Packaging 2008
Office laminated laser prints on A4 paper, conservator’s tape, bubble wrap

Recent Hair-Cuts Title Lightbox 2008
Screen print on newsprint, conservator's tape, fluorescent tube, packaging, cardboard

Close Haircut Leaning with Cigar in Cardboard Frame 2008
Laser print on A4 paper, conservator’s tape, cardboard box

Recent Haircuts Green Text Frame Screen Print in Cardboard Frame 2008
Screen print on newsprint, conservator's tape, cardboard box

Close Leaning Haircut in Black Frame Also in Cardboard Frame and Side Very Short Haircut in Black Frame 2009
Framed laser print on A4 paper, cardboard box and Framed laser print on A4 paper

Close Haircut Leaning with Cigar in Textured Metal Lightbox 2008
Laser print on A4 paper, conservator's tape, fluorescent tube and packaging, textured

Recent Haircuts installation showing Close Haircut Leaning with Cigar in Textured Metal Lightbox (left) and Close Haircut Leaning with Cigar in Cardboard Frame (right) 2008
uplands gallery melbourne

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
Installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
Installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
Installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
Installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
Installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
Installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter

Conversational Insults 2008
photocopied texts of handwritten notes by Wystan Curnow on Peter Roche’s 1978, performance, DVD player, monitor, furniture, wall mounted vitrines, laminated printed, material, cardboard, paintings
Installation view in the 16th Biennale of Sydney 2008 at the Museum of Contemporary Art, Photograph: Jenni Carter
1982 Born, Auckland, New Zealand
Simon Denny's practice emphasizes relationships within communities of things; complex sculptural combinations of objects and images found, bought, gathered and made. Denny's approach is holistic, seeking and building upon analogous connections between the various formal and conceptual aspects of his work.
Typically, Denny's installations are formed from predetermined fragments then assembled within a given space, which to a significant extent determines the final form and content of the work. The finished work is thus more accurately described as the formal resolution of Denny's working process, of sensing and facilitating interconnections between composite elements and the ideas they can contribute to a larger project.
Denny presents his audiences with situations that tend to foreground an engagement with associations of form, purpose and action. Constructions of everyday materials are combined with - and are often comprised of - domestic ready-mades and found imagery. His apparent crude modesty of form belies the poetic intelligence of the works coming-to-be and sculptural conceits. Denny's art-making is rooted in consumption and presentation; considerations of performance and moments of recapitulation which embed the artist's activity in his material - objects and images chosen in the first instance for the character and activity they already inhabit.
Denny has had an active interest in artist-run initiatives in Auckland including Special Gallery (2003-2006) and as a founding member of Gambia Castle (2007 - ).
Simon Denny currently lives and works in Auckland and Frankfurt am Main.