
Ballistic Cliche (Jane Fonda) 2008
engraved 38 calibre bullets, timber shelf
dimensions variable

Ballistic Cliche (Freidrich Neitzsche) 2008
engraved 38 calibre bullets, timber shelf
dimensions variable

cover ups 2009
installation view
uplands gallery melbourne

UNTITLED 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Bedtime 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Curious 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Wars 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Invasion 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Bad Scene 2010
Installation view
Uplands Gallery Prahran Melbourne Australia

Bad Scene 2010
Installation view
Uplands Gallery Prahran Melbourne Australia

Bad Scene 2010
Installation view
Uplands Gallery Prahran Melbourne Australia

Bad Scene 2010
Installation view
Uplands Gallery Prahran Melbourne Australia

Bad Scene 2010
Installation view
Uplands Gallery Prahran Melbourne Australia

Dirty 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

UNTITLED 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Royal Pain 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Cielo Drive 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Che 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Reasonable Doubt 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Blindness 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Che II 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

Untitled 2010
enamel paint on offset print
90.0 x 65.0 cm (approx)

cover ups 2008
installation view
uplands gallery melbourne

cover ups 2008
installation view
uplands gallery melbourne

cover ups, 2008 2008
enamel paint on offset print
103.0 x 72.0 cm

cover ups 2008
enamel paint on offset print
103.0 x 72.0 cm

cover ups 2008
enamel paint on offset print
102.5 x 71.5 cm

cover ups 2008
enamel paint on offset print
72.0 x 219.0 cm

cover ups 2008
enamel paint on offset print
72.0 x 102.5 cm

cover ups 2008
enamel paint on offset print
67.0 x 98.5 cm

cover ups 2008
enamel paint on offset print
103.0 x 72.0 cm

cover ups 2008
enamel paint on offset print
103.0 x 71.5 cm

cover ups 2008
enamel paint on offset print
100.5 x 69.5 cm
Biography
Born Melbourne, lives Melbourne
Education
1999 - 2000
- Masters in Fine Art (Painting), RMIT University, Melbourne
1983 - 1985
- Diploma in Graphic Design, Victoria College, Melbourne
Selected Solo Exhibitions
2008
- cover ups, Uplands Gallery, Melbourne
- Infinity Land, Hell Gallery, Richmond
2006
- Paradise Slaves, Uplands Gallery, Melbourne
- NO FUN, The Cage, Victoria College of the Arts, Melbourne
- Detritus, Dudespace Gallery, Melbourne
2004
- The Other Hell, MIR 11, Melbourne
2003
- The Spectre Smitten, Centre for Contemporary Photography, Melbourne
- Dirt, Gertrude Contemporary Art Spaces, Melbourne
- F.T.W. 24 Seven, Melbourne
2002
- Le Grand Grimoire, TCB Art Inc, Melbourne
- Graveyard Boys and Cemetery Girls, Penthouse and Pavement, Melbourne
2001
- Demonaz Doom Occulta, First Floor Artists and Writers Space, Melbourne
- Thirteen, Linden Art Centre, Melbourne
2000
- Metal Theory, First Floor Artist and Writers Space, Melbourne
- Bad Blood, Centre for Contemporary Photography, Melbourne
1999
- The Workshop of Filthy Creation, Gossard Project Space, RMIT University, Melbourne
- Domestic Hardcore, Citylights 2000, Melbourne
1998
- Yuk, Museum of Dirt, Melbourne
1997
- Creep, Installation, Baillieu Library, University of Melbourne, Melbourne
1995
- Sensorium, West space Gallery, Melbourne
1994
- Horor Vacui, Microscope Gallery, Melbourne
Selected Group Exhibitions
2008
- Revolving Doors: an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne
2007
- Lane Cormick & Tony Garifalakis, Ocular Lab, Melbourne
- End of Year Show, Uplands Gallery, Melbourne
- Relentless Optimism (curated by Mark Feary), Carlton Hotel and Studios, Melbourne
2006
- Silenzi (curated by Natalie King & Giovanna Zabotti), Palazzo delle Prigioni, Venice, Italy
- PrintROOM (curated by Karin de Jong), Bureau Gallery, Manchester, UK
- Family First (curated by Mark Feary), The Physics Room, Christchurch, New Zealand
2005
- Family First (curated by Mark Feary), VCA Gallery, Melbourne
- The Beast With Three Backs, RMIT Project space, Melbourne
- Six Orbits Around the Blue Moon (curated by Nadine Christensen), Ramp Gallery, Hamilton, New Zealand
- Drops in the Ocean (curated by Ewoud Van Rjin), Het Wilde Weten (ROOM), Rotterdam, The Netherlands
- Magic (curated by Andrea Gilbert), Vamiali’s Gallery, Athens, Greece
- Merde on the Dancefloor (curated by Mathew Griffin). MIR 11, Melbourne
- Portable Model of (curated by Tristian Koenig), Plimsoll Gallery, Hobart, Tasmania
2004
- Frequent See, Bus Gallery, Melbourne
2003
- Wall Candy (curated by Greg Deftereos), Conical Gallery, Melbourne
- Posted, MOP Gallery, Sydney
2002
- 1st Floor Final Exhibition (curated by David Rozetsky), 1st Floor, Melbourne
- Dredder than Dredd, Citylights, Hosier Lane, Melbourne
- La Peau Parle, Musée de la Civilisation, Quebec City, Canada
- Only the Lonely (curated by Clare Firth Smith), BLOCK, Sydney
2001
- Group Show, Tobey Fine Art, NYC, New York, USA
2000
- Spooky (curated by David O Hallaran), Glen Eira City Gallery, Melbourne
1999
- SKIN (curated by Andrea Gilbert), Deste Centre for Contemporary Art, Athens, Greece
- The Order of Things, Artspace, Sydney
- Flatliners curated by Natasha Johns Messenger), Level 11, Melbourne
1998
- Mnemosyne, or Do Humans Dream in Negative Strips?, Centre for Contemporary Photography, Melbourne
1996
- X3 (In Parenthesis), Gallery Odyssea Elytis, Athens
- Aerphost, Australian International Art Survey, The Debtor's Prison, Dublin, Ireland
Publications
2005
- Tony Garifalakis, Ruin of Empires, artist book.
Bibliography
2007
- Edward Colless, 'Tony Garifalakis', Australian Art Collector 41.
- Vicki McInnes, 'Tony Garifalakis: Near Death Happiness', Relentless Optimism (cat.), ed. M. Feary (Melbourne).
2006
- Irene Gerogianni, 'Magic', Contemporary Visual Arts 78 (UK).
- S. Brent Plate, Blasphemy: Art that Offends, Black Dog Publications:UK.
- John Russel, ed, Frozen Tears III, ARTicle Press: UK.
- Lisa Benson, 'Is It Possible to Think Straight While Orbiting?', Natural Selection 5.
- Rachel Howe, 'The Endtimes Are Always Near', catalogue essay, Uplands Gallery: Melbourne.
2005
- Tristian Koenig, 'Family First', Eyeline Contemporary Visual Arts 58.
- Lyndal Walker, 'Exhibiting a Death Wish', Is Not Magazine 4 (Melbourne).
- Mark Feary, 'As I Am So Thou Shalt Be', catalogue essay.
- Ted Gott, 'The Beast with Three Backs', catalogue essay.
- Phip Murray, 'We Are All Going to Die', UN Magazine 5.
- Charlotte Day, 'A Short Ride in a Fast Machine', catalogue essay, Gertrude Contemporary Art Spaces: Melbourne.
- Ashley Crawford, 'Long Live the Tent Embassy', The Age, July 30.
- Brigid Magner, 'Merde on the Dance Floor', Natural Selection 4.
- Tristian Koenig, 'A Portable Model of', exhibition catalogue.
- Din Heagney, 'Family First', Diary of an Art Pimp (June).
- Bianca Hester, 'Beast with Three Backs', SPEECH (August), http://speech2012.blogspot.com/2005/08/beast-with-three-backs_16.html.
- 'Bela Lugosi’s Dead', The Art Life (June), http://artlife.blogspot.com/2005/06/bela-lugosis-dead.html.
2004
- Ashley Crawford, 'Tony Garifalakis: The Other Hell', The Age, Oct. 10.
- Chris Lee, 'Death Becomes Them', Black Book Magazine 34 (Fall)(New York).
2003
- Ted Gott, 'Dirt', exhibition catalogue.
2001
- Greg Deftereos, 'Death Culture', exhibition catalogue.
- Tony Garifalakis, 'Thirteen', exhibition catalogue.
1999
- Andrea Gilbert, 'Tabula Nuda', SKIN, exhibition catalogue.
- Tony Garifalakis & Irene Hanenbergh, R.I.P. artists' book.
1997
- Annie Mulroney, 'Mnemosyne, or Do Humans Dream in Negative Strips?', Eyeline Contemporary Visual Arts37.
- 'Tony Garifalakis', Glue 6.
- Suzanne Spunner, 'Dumped by the Next Wave and Still Standing', Art Monthly (July).
- Greg Deftereos, 'Mnemosyne, or Do Humans Dream in Negative Strips?', exhibition catalogue.
1996
- Marianne Lovett, 'Aerphost', CIRCA Art Magazine 78.
- Greg Pryor, 'Sensorium', Dialogue 5.
Collections
- National Gallery of Victoria
- Monash UNiversity Museum of Art, Melbourne
Awards and Prizes
2008
- Studio Residency, New York
2006
- Studio Residency, Chiesa di San Leone XI, Venice, Italy
2004
- Funding Recipient, International export and touring grant, Arts Victoria
2000
- Funding Recipient, Pat Corrigan Artist Grant, NAVA
1999
- Funding Recipient, Arts 21 International Touring Grant, State Government of Victoria
1997
- Studio Residency, Busqueda Box Studios, Dublin, Ireland
1996
- Funding Recipient, Arts 21 International Touring Grant, State Government of Victoria
1995
- Funding Recipient, Artist Grant, Australian High Commission