by Jennifer Higgie
nine heads and the difference in eyes
a poem for renee so from jennifer higgie
you don't have to have a title
five black
four white
almost not women and almost not men
perhaps king louis or marie antoinette or a girl called sam from
the war in England
perhaps they say thee
perhaps they say thou
perhaps they say merci
or grazie or grace
in a dead language
or one she can't speak
three of them need shoulders;
with short hair they looked like they might topple,
unweighted by a double profile
two faces of the same man
mediaeval or Greek armour or
something sometime inbetween
faces as masks that won't hide a thing
are useful
you can't control fire
she says, i don't know why it's shiny,
it's a different shade of black,
i have no control over the heat
i could not imagine it
like the military on fine wine, they
roll up to the carnival or from a western
she scratched into them when the clay was still wet
trying new ways to make faces
like they're friends or people
fast and bulbous hair
like time travellers
or workers or warriors or dandies
or girls who arrange their hair
while avoiding bombs
she was one when she migrated
but nothing is as simple as a journey
or as complicated as a border
nothing is that simple or simply one story
beautiful cracks are silent in these hollow skins
like veins like ancient skin
hair like buried eggs
the wind whistles
a flat cap, a scratched eye,
as pockmarked as youths
the hair is silent above
still cracked skulls
black and white and nothing less so
sausage eyebrows staring eyes hollow
but never vacant
one night we measured head
and it was surprising
who had the largest
the roughness compares with the smoothness of the beard
she says, i want him to look ruined but not dead
profiles like science fiction like
the idea of something ancient
we are so mobile now
time travellers every time we sleep
the double header
the large childlike ears
the way time mashes your mind
sometimes eyes are doubled like leaves
the black glaze cracks to reveal the whiteness beneath
creepy grinning cracks
a mouth like a bandage
she wants to see the process
wants the line to work like a mouth or a smile
only some heads have pupils
like scarification
or an initiation in a mute language
hair like bowls of fruit in
colours you couldn't eat
each one is different
like time travel
like cartoons
like eyelashes
to be a bit beaten and slightly damaged
to shine a little
with a bow tie
is very human
Jennifer Higgie is the co-editor of Frieze Magazine
www.frieze.com

Renee So 2008
installation view
Uplands Gallery Melbourne

Renee So 2008
installation view
Uplands Gallery Melbourne

Lee & David 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm (each)

Alaric (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Alaric (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Alvaro (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Alvaro (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Bellamy 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Bellamy 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Bellamy 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Chandra (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Chandra (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

David (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

David (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Kwan (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Kwan (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Lee (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Lee (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Pax (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Pax (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Sam (front) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm

Sam (rear) 2008
glazed ceramic
31.0 x 29.0 x 20.0 cm